AEIVA Gallery II Hank Willis Thomas: Unbranded
Hank Willis Thomas’ 2005–08 series Unbranded: Reflections in Black by Corporate America 1968-2008 decontextualizes advertising images targeted toward African-American audiences in print magazines including Ebony and Jet. For this series, Thomas appropriates and removes all branding from 4 decades of advertising photography. The result is a deceptively simple but shockingly insightful commentary on the ability of advertising to shape our cultural development and perceptions. Using the years of Martin Luther King’s assassination and President Barack Obama’s election as start and end points, Thomas challenges viewers to distinguish between the messages conveyed through text and visual imagery.
Mary Frances Whitfield: Why? is a collaborative exhibition between the Abroms- Engel Institute for the Visual Arts at the University of Alabama at Birmingham and the Birmingham Civil Rights Institute.
Sean Murray and Cara Morantz, directors Featuring Gene Fambrough in Zip-Zap for Drum set and Wind Ensemble by Adam Silverman...
Philadelphia-based artist Quentin Morris uses a variety of mediums to explore issues surrounding identity, race, spirituality, and cultural mythologies. What’s most interesting about this work is that for...
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